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Posts Tagged ‘green arrow’

Today is Errol Flynn‘s birthday. If you don’t know who Errol Flynn was, you can just leave right now, because the rest of this post won’t mean a thing to you. Or, better yet, you can email me for a list of movies that will change your life. Your choice.

Regardless, those of you who remain should follow me: We all know how popular comic book movies are today, and we all know that back in the Golden Age of the 1930s, there were no comic books movies because…there were no comic books (until 1938). Whether this contributes to the 1930s being the Golden Age is left to debate. But what if there had been comic books (and comic books movies) in the 1930s? What if Superman and Batman and Spider-Man had existed during the Depression–and what if all of those superstars had played them?

I have some ideas. Some will be, “Well, of course!” and some will be controversial. But the idea of any of these legendary actors playing any of these roles…that’s just too good an opportunity to pass up.

Errol Flynn: Flynn is first up, not only because it’s his birthday, but as someone dear to me has said, “He put the ‘swash’ in swashbuckle.” On the DC side, I know it’s cliched, but I really can’t see Flynn playing anyone better than Green Arrow. On the Marvel side, however, he was born to play Fandral of Thor’s buddies, the Warriors Three.*

Randolph Scott: Superman. Duh.

Maureen O’Sullivan: Wonder Woman. I know the look is wrong, but I don’t care. Or the Black Widow (where she would fit the look much better).

Tyrone Power: Batman. Again, duh. He played Zorro. Bruce Wayne would never be the same. Or Iron Man. Tyrone Power as Tony Stark? Box office platinum.

Basil Rathbone: In the DCU, he could be stuck in the role of Alfred Pennyworth (whom he would make a headliner). But he might never move over from Marvel, where he would play…Doctor Strange.

Johnny Weissmuller: Aquaman/Namor the Sub-mariner. Typecasting, yes, but he was the best swimmer in Hollywood.

I am wracking my brain trying to come up with roles for William Powell and Myrna Loy, but I can’t. And I really want to. Help me.

 

*Unfortunately, Mr. Flynn was never available to play either of these roles, because he was solidly under contract portraying Han Solo.

 

 

 

 

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We went to a presentation the other day featuring cast members and show runners from the CW‘s four superhero shows: Supergirl, The Flash, Arrow, and Legends of Tomorrow. We had a fine time; all of the panelists were entertaining and the whole thing was moderated by Kevin Smith, who had the audience in stitches. Kevin’s introduction described how as a kid, he had read comic books to be transported, and how they always made him feel like a better person because they were all about the good guys and their triumphs.

This made me think: Literature is virtually always about the good guys winning. There are, of course, exceptions to the rule, for example George MacDonald Fraser’s Flashman (no relation to The Flash), but you’d really be hard-pressed to find a book or comic where in the end you weren’t supposed to root for the good guys. Oftimes, the good guys are bad guys, but those are anti-heroes, bad guys you root for because their adversaries are even worse. Are with you with me so far? Of course you are, this isn’t controversial.

So why is it, then, that comic books are blamed for the decline of Western Civilization?* These are highly moralistic stories. The good guys virtually always win. They put their lives on the line, without pay, issue after issue for decades, sometimes (in the case of Marvel heroes) in the face of public ridicule, scorn, and even persecution. Who doesn’t want to live in a society where everyone is ready and willing to take on evil and stand up to oppression? How can a medium which produced Superman be bad?

I know a lot of the knocks against comic books are the same as are leveled against science fiction: it’s juvenile, it’s poorly written, it’s unbelievable. And I ask each of those the same thing: Have you read this stuff lately? Have you ever read this stuff?

Granted, comic books have a tendency to make you believe that violence (no matter how reluctantly practiced) solves every problem. But I would argue that being a “force” is less important than being a “force for good,” or at least it was when I was reading.

When I was a kid, reading comic books was not viewed by my parents as an optimal use of my time. I would argue though, that comic books (and later pulp novels) did as much to form my moral outlook as religious education, or upbringing. I’m not saying I’m going to stand in front of a runaway truck or face down bank robbers–but I am saying that if I had a little influx of cosmic energy, you might hear…

“Who is that masked man, anyway? He’s straight out of a comic book!”

 

*Yes, there were the EC comics of the 1950s. But really, it was the 1950s!

#SFWApro

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